On this Day: May 2015
May 1 Welcome to the fifth month of the year. Births: 1582 – Marco da Gagliano, Italian composer (d. 1643) 1901 – Heinz Eric Roemheld, American composer (d. 1985) 1913 – Walter Susskind, Czech-English conductor (d. 1980) 1927 – Gary Bertini, Israeli conductor and composer (d. 2005) 1939 – Victor Davies, Canadian pianist, composer, and conductor 1945 – Peter Kiesewetter, German composer (d. 2012) 1955 – Martin O’Donnell, American composer 1957 – Kow Otani, Japanese pianist and composer Deaths: 1731 – Johann Ludwig Bach, German violinist and composer (b. 1677) That seems like a confusing mix of famous composers’ names. 1904 – Antonín Dvořák, Czech composer (b. 1841) 1978 – Aram Khachaturian, Georgian-Armenian composer (b. 1903) 2010 – Rob McConnell, … Continue reading On this Day: May 2015
Mahler Symphony No. 4
performed by the Israel Philharmonic Orchestra under Zubin Mehta, Barbara Hendricks, soprano (my hands-down absolute favorite recording of this piece; she’s stunning. Took my breath away the first time I heard her after having listened to many other recordings, but the … Continue reading Mahler Symphony No. 4
Concert Review: 4.27 男高音湯發凱獨唱會
Tenor vocal recital In case you didn’t know, Austrians are intense people… In my write-ups on concerts, I do my best to address the concert and not the pieces themselves, but that’s hard to do in some ways, especially when you’re not super familiar with said pieces. In any case, last year, I went to see Schoenberg’s Gurrelieder performed by our very fine National Symphony Orchestra. As you dedicated readers will know, it demands some serious forces, and one of those is a tenor. The tenor’s performance (both musically and… acting-ly? dramatically?) was excellent, and I actually ended up making … Continue reading Concert Review: 4.27 男高音湯發凱獨唱會
Mahler: Thus Far
We’ve taken the Mahler symphonies quite out of order so far. But Thursday’s piece is a big one. A big place filled by his smallest symphony. Let’s talk about that. In many of my other endeavors with other composers, I’ve … Continue reading Mahler: Thus Far
Concert Review: 簡韻玲鋼琴獨奏會
or my piano teacher’s graduation recital at 師大 I missed her other recital, and felt terrible about it, but was glad I was able to attend this one. If you go check out the About Me section, I talk in there about my final decision to go get piano lessons like I’d always wanted, so I did. I was cohost of a radio show for a local news channel at the time, and happened to mention to the host in passing that I’m looking for a piano teacher. Turns out his cousin and her whole family are music people. He … Continue reading Concert Review: 簡韻玲鋼琴獨奏會
Schubert Symphony no. 4 in Cm, D. 417, ‘Tragic,
performed by the ASMF under Sir Neville Marriner, or below by the Vienna Philharmonic under Nikolaus Harnoncourt at the Muskverein Mini-German part 3 I’ve never really cared much for nicknames or monikers for pieces… They are often not chosen by the composer, sometimes not even approved of, and sometimes not even coined until long after the composer is gone.At least in the instance of Schubert’s Tragische, the name was of his own devising. My other gripe with names like this is that I don’t always (in fact, rarely do I) agree with them. ‘Moonlight’ and ‘Titan’ come to mind. ‘From … Continue reading Schubert Symphony no. 4 in Cm, D. 417, ‘Tragic,
Concert Review: 2015師大音樂系交響樂團公演: Phenomenon
The 2015 NTNUSO Concert: Phenomenon So, this is one of those concerts you go to for fun. I had the same feelings about a concert last month with the Taipei Symphony, and was blown away. The last concert we reviewed (last week) was the Taipei Symphony’s performance of Mahler 3 under Maestro Eliahu Inbal. This concert was the day after that. I was invited a few days ahead of time to go with a friend at the university who had tickets. I didn’t know anything on the program, but it was a nice opportunity to go, so I certainly didn’t … Continue reading Concert Review: 2015師大音樂系交響樂團公演: Phenomenon
Schubert Symphony no. 3 in D major, D. 200
performed, as always, by Neville Marriner and the ASMF, or below by Marriss Jansons and the Concertgebouw (apologies for the anime image, but it’s a nice performance) Mini-German: Part 2(I know he’s Austrian) Now for a slight change of pace. Sort of. While this work came a decade after last week’s Beethoven piece, it is… at least to my ears, not as far ahead of its time. That’s no criticism at all. Let me explain.For one, Eroica was just kind of a phenomenal thing. Beethoven was already into his thirties when this piece was written. Schubert was about half that … Continue reading Schubert Symphony no. 3 in D major, D. 200
Concert Review: Mahler 3
as performed by the Taipei Symphony Orchestra under Maestro Eliahu Inbal on April 6, 2015. Again… There are some concerts that you’re so excited about you lose sleep over, concerts that make you feel like your ticket in is the golden ticket for Willy Wonka’s Whatever it Was (if you’re into that sort of thing), and when you file into the concert hall (of hopefully well-behaved, polite, respectful patrons), you feel a cozy sense of togetherness, of privilege, of camaraderie in the knowledge that you are preparing to experience something that only these few thousand (ish?) people on earth in … Continue reading Concert Review: Mahler 3
Beethoven Symphony No. 3 in Eb, op. 55, Eroica
(I recently wrote about this piece in what I can only describe as a far more informed, mature way than I did here. Please go have a read of that article.) performed by Nicolaus Harnoncourt and the Chamber Orchestra of … Continue reading Beethoven Symphony No. 3 in Eb, op. 55, Eroica
Mini German: A four-part series
For the next few weeks, we’ll be taking the chance to visit a few symphonies that didn’t get inclusion into our rather large German(ic) Symphony series at the end of last year. Obviously not everything could be included in that, and there was a rather specific train of thought I was working on for it, so some really good candidates were excluded. We’ll be adding to that a bit with a slightly smaller (by half) and not so narrative-like series starting this week.I’m excited about this one. The first and last in the series are really some of my absolute … Continue reading Mini German: A four-part series
Aaron Copland: Clarinet Concerto
performed by Martin Frost and the Norwegian Chamber Orchestra So here we are in our final installment of a brief but surprisingly enjoyable miniseries on the clarinet. What’s left? Well, we haven’t had a concerto yet, and this week’s piece brings us solidly into the modern era, with a piece written within the lifetimes of some people still around today. Copland’s clarinet concerto was written shortly after his third symphony. I feel like this shouldn’t be the piece we use to first represent Copland on the blog, as he has lots of other stuff worth talking about, but in the … Continue reading Aaron Copland: Clarinet Concerto
On this Day: April 2015
April 1
"The Truth about Orchestral Players"
I’m sure tons of other people have seen and read this article already, but I figured even that post states it doesn’t know the source, so… that means it’s public domain, right? Also, if you haven’t read it, do that … Continue reading "The Truth about Orchestral Players"
Schumann’s Drei Fantasiestücke, op. 73, for clarinet and piano
performed by two separate teams:the clarinet and piano duo here or a truly splendid performance by Capucon and Argerich (cello, not clarinet) Welcome to part two of our three (and a half?) part clarinet series. Today’s piece was originally written for clarinet and piano, but it seems that it is more often performed on cello. That isn’t against the composer’s wish, though, as he’d directed that the clarinet part could be played either on violin or cello as well.Schumann is a composer I’m not terribly familiar with, as evidenced by my poor attention to his symphonies I wrote about a … Continue reading Schumann’s Drei Fantasiestücke, op. 73, for clarinet and piano
Concert Review: Taipei Symphony and Karen Gomyo
Bear with me here. This concert (or the general experience of the evening) was far more outstandingly outstanding than I’d prepared for. There are some concerts you look forward to and know will be once-in-a-lifetime chances, like being able to hear Gurre Lieder live last year (quite a production), or The Philharmonia last month, and some you go to just because it’s a nice chance to hear a piece live again, with no real concern for the performer or real anticipation for the program…? Think of it this way. There are different kinds of dinner plans: I may make plans far … Continue reading Concert Review: Taipei Symphony and Karen Gomyo
Mozart Clarinet Quintet in A, K. 581
performed by Sabine Meyer and the Academy of St. Martin in the Fields string quartet So… The first few listens of this piece were almost as boring as the first time I listened to Mozart’s clarinet concerto, which I am … Continue reading Mozart Clarinet Quintet in A, K. 581
What does your taste say about you?
…. if anything Music, in whatever form, is just one of those things. It is, for most humans, an enjoyable, even integral, part of life. It is very rare that I meet someone who doesn’t have an opinion about, taste … Continue reading What does your taste say about you?
Grainger: Molly on the Shore
performed by the Royal Northern College of Music Wind Orchestra (or below by the North Texas Wind Symphony) This is the second piece of the great and interesting Percy Aldridge Grainger that we’ll be discussing, the first of which was his Children’s March. We played this one in school as well, and it’s just so much fun. I know Grainger was Australian, but this is perhaps the reason I think of him as so Irish, because this piece is the first of his that I had any familiarity with, and it’s a setting of two Irish reels. As usual, Wikipedia … Continue reading Grainger: Molly on the Shore
Miniseries: The Clarinet
I have a coworker. I have more than one coworker, but one coworker in particular.She’s a music major, a clarinetist. We talk (well, I talk) about music stuff: what I’ve been listening to lately, what I’ve been impressed or perplexed by, etc. as well as some recent efforts in composition. I keep her up to date on what I’m reading about, writing about, and listening to and ask for her input or thoughts on certain things. One day the question came up (or something) about why I haven’t done any clarinet pieces. The most of anything I’ve really featured has … Continue reading Miniseries: The Clarinet
Beethoven Piano Concerto No. 1 in C, op. 15
performed by the Vienna Philharmonic under Eugen Jochum, Maurizio Pollini, piano or below, an excellent and entertaining performance with Leonard Bernstein conducting the Vienna Philharmonic from the piano (I’m writing on Substack now, where I feature pieces on hypothetical concert … Continue reading Beethoven Piano Concerto No. 1 in C, op. 15