performed by Roland Pöntinen, or below by Eduard Steuermann (cover image by h-e-n-g-s-t-r-e-a-m) It may sound like a cliche, but Schoenberg’s earlier (by a little over a decade) opus 11 really was a watershed moment for the composer in dealing … Continue reading Schoenberg: Fünf Stücke, op. 23
performed by the BBC Symphony Orchestra under Pierre Boulez, or below with the London Symphony under Robert Craft The conductor need not try to polish sounds which seem unbalanced, but watch that every instrumentalist plays accurately the prescribed dynamic, according … Continue reading Schoenberg: Five Pieces for Orchestra, op. 16
featuring Jo-Pei Weng (翁若珮) and the Taipei Philharmonic Chorus When you think of famous movie scores, what do you think of? Most likely John Williams. Maybe Hans Zimmer, Howard Shore, or Danny Elfman, James Horner, Philip Glass. Well, The Last Jedi came … Continue reading NSO’s At the Movies 2: Star Wars
performed by Hilary Hahn and the Swedish Radio Symphony Orchestra under Esa-Pekka Salonen [It] is extremely difficult, just as much for the head as for the hands. I am delighted to add another ‘unplayable’ work to the repertoire. I want … Continue reading Schoenberg Violin Concerto, op. 36
performed by Janis Martin and the BBC Symphony Orchestra under Pierre Boulez, or by the astoundingly talented Jessye Norman at the Metropolitan Opera under James Levine (the only one I can find with subtitles), or in a higher-quality video below featuring … Continue reading Schoenberg: Erwartung, op. 17
performed by the Quatuor Diotima and Sandrine Piau, or below by the New Vienna String Quartet and Evelyn Lear If I had to pinpoint a moment in musical history, a piece in particular that is the breaking point, the straw that … Continue reading Schoenberg String Quartet no. 2, op. 10
with the Ensemble Quatrain Cologne and 陳必先 (Chen Pi-Hsien) Connections are a good thing to have. It took me some time to get into the system, to figure out how the ticket buying and membership-ing all works, but once you … Continue reading 2016 Innovation Series: Klassic Kindheit Concert
performed by the LaSalle Quartet I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And … Continue reading Schoenberg String Quartet in D major
performed by Mitsuko Uchida and the Cleveland orchestra under Pierre Boulez Finally! It’s here. I’ve been eager to write this article now for years. It was a strange experience I had with this work, as I was describing to someone the … Continue reading Schoenberg Piano Concerto, op. 42
performed by Maurizio Pollini (live performance below) I said to Webern: for my music you must have time. It does not suit people who have other things to do. But it is in any case a great pleasure to hear … Continue reading Schoenberg: Sechs Kleine Klavierstücke, Op. 19
performed by the New Vienna String Quartet (above is the first ‘movement’; the entire work is available from this playlist) I have conducted the most difficult scores of Wagner; I have written complicated music myself in scores of up to … Continue reading Schoenberg String Quartet no. 1, op. 7
Schoenberg’s piece terrified me. And every Mahler symphony ever written is one of the greatest symphonies ever written. I died a little bit last night, in the most moving, inspiring way. This is a concert I’d been waiting to attend … Continue reading Concert Review: NSO’s Mahler 6
performed by the New Vienna String Quartet (Neues Wiener Streichquartett) A playlist with all four movements can be found here. “…it awakens feelings that are not far from those caused by euphony.” From this article, which I’ll cite also below … Continue reading Schoenberg String Quartet no. 4, op. 37
Epilogue: Total Serialism a.k.a Influential People: Milton Babbitt It’s been a while. If you haven’t read or don’t remember a three-part series I wrote a few months back on the beginnings of the twelve-tone system, go check out the first … Continue reading Dodecaphony: Part 4 (a.k.a. Influential People: Milton Babbitt)
I have come to love string quartets. It seems this group of four instruments has the perfect balance of succinct compactness, clarity, cohesion, and range of expression. There are times when a quartet sounds perfectly like a quartet, with four … Continue reading Some 20th Century String Quartets: A small series
How I got here: As stated on my About Me page, my interest in music was rooted in a fascination with the piano. It seems natural, then, that as I started to familiarize myself with classical music, the piano was … Continue reading Dodecaphony: Part 3
This article has been marked as in need of a revisit. That’s where I feel like I didn’t do the piece justice or have more to say (usually because I didn’t know it nearly well enough or didn’t have the right perspective). I’ll keep the original article for posterity, but publish a new version that will eventually be linked here for my new take on it. performed by Maurizio Pollini That looks intimidating, those three links, but honestly, these pieces aren’t terribly overwhelming. In total, they come to about 13 or 14 minutes of music. Very delicious, important music. While … Continue reading Schoenberg: Drei Klavierstücke, op. 11
To continue our discussion of the twelve tone scheme and the Second Viennese School, we’re going to talk today about the method itself. I’m going to be up front with you, though. I’m not a professional musician, I am not … Continue reading Dodecaphony: Part 2
Do-what? (a.k.a. Influential People: Arnold Schoenberg) part 2 here part 3 here This was going to be a simple introduction to the early works of the Second Viennese School, and to that group of composers itself, but as with many … Continue reading Dodecaphony: Part 1
First, some apologies and honorable mentions. So that’s it. We have, in order: Beethoven’s Symphony no. 2 Brahms’s Symphony no. 2 Bruckner’s Symphony no. 4 Hans Rott’s Symphony in E Mahler’s Symphony no. 3 Weingartner’s Symphony no. 1 Felix Woyrsch’s … Continue reading German(ic) Symphony Series: A wrap up
I just got home. And I’m exhausted. So I probably won’t finish this tonight. Gurre-Lieder Gotta give credit where credit is due This was the first time I’ve heard a piece anything like this performed live, and while some little … Continue reading Schoenberg’s Gurre-Lieder (part 2 of 2)
Fugue for Thought 