NSO’s Siegfried

featuring Taiwan’s National Symphony Orchestra under Shao-Chia Lü; Carlus Padrissa, stage director, La Fura dels Baus, a co-production of Palau de les Arts Reina Sofia and Maggio Musicale Fiorentino, and many many more people, some listed below. I got too … Continue reading NSO’s Siegfried

NSO: Symphonic Milestone- Eroica

This was a last-minute and somewhat messy plan. I’d seen the program for this concert ages ago and at the time, wasn’t able to attend. Some recent schedule changes meant I was free, but by that time I’d entirely forgotten about it. I ended up buying my ticket only a few weeks ago, kind of late relative to how early I try to get my hands on most tickets.  I saw NSO and Eroica, and that was enough. I was at the ticket counter to buy a ticket for another show anyway, and there were still seats. On the ticket … Continue reading NSO: Symphonic Milestone- Eroica

The composer and conductor: which comes first?

This is not a piece I’m going to spend lots of time analyzing the history of in preparation for a dissertation on the subject. It was just a passing thought I had based on this week’s music piece for Thursday, and I thought I’d talk about it. It’ll make more sense when you know what that piece is, but for now, it’s at least worth talking about in the context of Mahler.While he seemed to have garnered some praise and recognition in his time for his works, most prominently the eighth symphony, he was known during his lifetime far more … Continue reading The composer and conductor: which comes first?