performed by Vladimir Ashkenazy, with the fourth below it played sublimely by Eric Lu (cover image by Jez Timms) Chopin composed his op. 17 mazurkas between 1832 and 1833, and they were published in Leipzig in 1834. The composer … Continue reading Chopin: Four Mazurkas, op. 17
preformed by the St. Petersburg Philharmonic Orchestra under Mariss Jansons, or below by the Royal Concertgebouw Orchestra under Vladimir Ashkenazy It is the creation of a genial mind laboring in a field well known and loved by it, but not … Continue reading Revisit: Rachmaninoff Symphony no. 3 in A minor, op. 44
performed by Vladimir Ashkenazy, Zsolt-Tihamér Visontay & Mats Lidström, or below with Janine Jansen, violin; Torleif Thedéen, cello; Eldar Nebolsin, piano Soviet disturbances weren’t the only bane of Shostakovich’s existence. He suffered from health ailments throughout his life, it seems. At … Continue reading Shostakovich Piano Trio in Cm, op. 8
performed by Vladimir Ashkenazy, or below by Nikolai Lugansky Rachmaninoff! Also been a while since we’ve seen this guy. I actually had no intentions of duplicating so many of the composers from last year’s Russian Symphony series in this piano … Continue reading Rachmaninoff: Variations on a theme of Chopin, op. 22
performed by Vladimir Ashkenazy (or for those of you to whom the above video is unavailable, another one here by Richter) Life is fearfully expensive, and the climate is rotten. The air in the areas where we could find an apartment … Continue reading Scriabin Piano Sonata no. 5, op. 53
performed by Vladimir Ashkenazy Oh, let’s not talk about this! This is a ghastly piece! […] I was in an appalling situation back then. This Prelude, and also the Marche funebre in the First Sonata formed in moments disheartenment… But … Continue reading Scriabin: Four Pieces, op. 51
performed by Vladimir Ashkenazy or below by Ivo Pogorelich Two little things today, sketches from Scriabin, as if he’s working out ideas in preparation for something truly monumental. The ‘two poems’ date from 1903, and are as follows: No. 1 … Continue reading Scriabin: Deux Poèmes, op. 32
performed by Vladimir Ashkenazy Well, it hasn’t been as long since we’ve visited Scriabin. He was part of the the Russian Symphony Series and the Symphonic Poem series, but aside from his multiple symphonies and other orchestral work, he arguably made his … Continue reading Scriabin Piano Sonata no. 4 in F-sharp major, Op. 30
performed by Idil Biret from her Chopin box set, or equally excellently below, by Vladimir Ashkenazy Today, we begin with a new composer. Could there be a more logical choice? I suppose there’s Schubert, but he didn’t make it this … Continue reading Chopin Rondo in Cm, op. 1
performed by either Ashkenazy/Philharmonia, or below by Perahia/English Chamber Ochestra Number three. The year is (still) 1767, and our little composer is still eleven years old. Everything is the same, except we get trumpets in addition to keyboard, strings, horns and oboes. Again, three movements, but none of which based on Raupach. Wikipedia says: The first movement is based on the initial movement of Honauer’s Op. 2, No. 1. The second on one by Johann Gottfried Eckard (op. 1, no. 4 ), the most famous keyboardist of his day. The third movement is based on C. P. E. Bach‘s piece … Continue reading Mozart Piano Concerto no. 3 in D, K40
performed by The Philharmonia Orchestra under Vladimir Ashkenazy, (or the below with Murray Perahia and the English Chamber Orchestra) As mentioned yesterday, we’re starting a very long stretch of almost-daily posts, with lots of piano works by some very important composers. For future reference, all Mozart concertos will be taken from the above-mentioned Ashkenazy/Philharmonia set. We begin today with the first of five Mozart piano concertos. This one was written when the young composer/pianist was eleven years old. It turns out these works were long considered to be original, but later found to be orchestrations of other German works. A … Continue reading Mozart Piano Concerto no. 1 in F, K37
performed by Vladimir Ashkenazy 2nd movement 3rd movement 4th movement This is such an impressive piece to be only an opus no. 23. For whatever reason, in my concerted efforts to come to love Scriabin, I gravitated more immediately to … Continue reading Scriabin piano sonata no. 3 in F#m, op. 23
performed by the London Symphony Orchestra under Andre PrevinVladimir Ashkenazy, piano This was kind of Ashkenazy’s warhorse for a while I’m told. The Interwebs told me. This piece comes up often in the “hardest piano concerto ever” discussions that many an amateur like to have. I believe that comes from summing up the scope of the greatest challenge possible and putting things into perspective against it. Maybe. Anyway, Prok 2, Rach 2 and 3, Brahms 2, and Bartok 1 and 2 seem to be the ones that are most often agreed upon as being frighteningly, intensely difficult (obviously in different … Continue reading Prokofiev Piano Concerto no. 2, op. 16
Fugue for Thought 