Works that I do my best to write about (at least once a week, usually on Thursdays). For collections of pieces, check out the Series link above.
performed by the Amsterdam Sinfonietta under Lev Markiz, or below by the Northern Chamber Orchestra under Nicholas Ward I’d originally intended to do two of Mendy’s actual numbered symphonies this week, and then put on the breaks when I realized they … Continue reading Mendelssohn String Symphony No. 1 in C major
performed by Steven Isserlis, or below by Rostropovich (Is it sacrilege to say I don’t like M-Rost’s Bach? As I have discussed below, I have gotten very attached and used to Isserlis’ readings of these works, as new a recording … Continue reading Bach Cello Suite No. 4 in E-flat, BWV 1010
performed by the Chamber Orchestra of Europe under Claudio Abbado (That’s the first movement. Here are the second and third/fourth.) “O Mozart! immortal Mozart! what countless impressions of a brighter, better life hast thou stamped upon our souls!” Schubert’s diary entry … Continue reading Schubert Symphony no. 5 in B-flat, D. 485
performed by the Melos Quartet There don’t seem to be any portraits of the Young Franz, at least not that I could dig up in a lazy search. Let’s listen. “Wait… isn’t this in C major?” It’s the darkest C … Continue reading Schubert String Quartet no. 4 in C, D. 46
performed by the Melos quartet So, like the early days with Haydn, we’re still in an early phase of Schubert’s quartet writing. Schubert never lived to be the age Haydn was when he wrote his op. 20 quartets, where we … Continue reading Schubert String Quartet No. 3 in B-flat, D 36
performed by the Royal Philharmonic Orchestra under Rene Leibowitz (see below for more information on recordings) “a slender Greek maiden between two Norse giants” Robert Schumann of Beethoven’s fourth symphony I don’t know that I’d call her that, but she’s certainly … Continue reading Beethoven Symphony No. 4 in B-flat, Op. 60
“I am thrice homeless, as a native of Bohemia in Austria, as an Austrian among Germans, and as a Jew throughout the world. Everywhere an intruder, never welcomed.” 105 years ago… (cover image Michael Kranewitter, Wikipedia CC-by-sa 4.0) Continue reading 7.7.1860 – 18.5.1911
The Overture to the Ballet performed by the Gewandhausorchester under Riccardo Chailly, or below by the Vienna Philharmonic and Claudio Abbado So we’re not talking about the entire ballet, at least not yet. Maybe we should. In any case, if you’ve … Continue reading Beethoven’s Die Geschöpfe des Prometheus, op. 43
performed by the Artemis quartet, or in a live performance below by the Belcea quartet (I always love to watch the intensity of the performers playing these works) We’re on to Beethoven’s second string quartet, the no. 2 of the opus 18 … Continue reading Beethoven String Quartet No. 2 in G, op. 18, No. 2
performed by the Zurich string trio, or below in a much brisker rendition by the Grumiaux Trio So trios… We talked about Beethoven’s op. 1 piano trios starting here, the first of those also in E flat. That was last summer, … Continue reading Beethoven Trio for violin, viola & cello in E flat, Op. 3
ASMF/Marriner It’s a bit ridiculous to say I hear development or progress from this work as compared with yesterday’s piece that didn’t move me much, because they were written within weeks of each other, in May of 1772, but this symphony is, at least to me, … Continue reading Mozart Symphony No. 18 in C, K. 130
ASMF/Marriner (who I think is playing below) After telling us that Mozart composed this work in 1772 at 16 years of age (the very same month he completed K. 128) (and that “some of its sections may have been written earlier”), … Continue reading Mozart Symphony no. 17 in G, K. 129
ASMF/Marriner, who I believe also plays in the video below: Of the sixteenth symphony, Wikipedia says “The form is that of a standard three-movement Italian overture,” unlike yesterday’s work. Both the first and second movements are ‘essays in sonata-allegro form,’ … Continue reading Mozart Symphony no. 16 in C, K. 128
performed by the Academy of St. Martin in the Fields under Sir Neville Marriner The second of the Salzburg symphonies, no. 15 in G is in four movements and clocks in at a whopping 12 and a half minutes. Wikipedia’s … Continue reading Mozart Symphony No. 15 in G, K. 124
performed by the Academy of St. Martin in the Fields under Neville Marriner, or below by the Vienna Philharmonic under James Levine, who observes some repeats that make the work an extra 4-ish minutes longer Well, hello again, Mr. Mozart. … Continue reading W. A. Mozart Symphony no. 14 in A, K. 114
performed by the Amadeus Quartet, or below, in an echoey recording by the Festetics Quartet We are now into the ‘Milanese quartets’, a true cycle of six quartets the young Mozart wrote in Milan between 1772 and 1773. These Milanese quartets … Continue reading W. A. Mozart String Quartet No. 2 in D major, K. 155
performed by the Buchberger quartet, or in a nice performance by the Quatuor Mosaïques This! This is the kind of thing we’ve been working toward. Haydn’s next quartet (reflecting the order in his own catalogue) is the string quartet no. … Continue reading Haydn String Quartet no 23 in Fm, op. 20 no. 5
performed by the Austro-Hungarian Haydn Orchestra under Adam Fischer, or below with the Philharmonia Hungarica under Antal Dorati Well, here we are… at our final Haydn (symphony) for a while, after another stretch of works. Again, I promise once we … Continue reading Haydn Symphony no. 11 in E-flat (H. I/11)
performed by the Austro-Hungarian Haydn Orchestra under Adam Fischer, or below with the Philharmonia Hungarica and Antal Dorati Phew. Good thing this symphony is awesome, because they were starting to seem a little similar. There are a few notable differences with … Continue reading Haydn Symphony No. 25 in C (H. I/25)
Adam Fischer/Austro-Hungarian Haydn Orchestra, or below by the Philharmonia Hungarica under Antal Dorati Bam. Here we are again. More Haydn. Also, MAY THE FOURTH BE WITH YOU. If it’s still the third, come back in twelve hours. Similar to yesterday’s … Continue reading Haydn Symphony No. 19 in D (H. I/19)
Adam Fischer/Austro-Hungarian Haydn Orchestra, or below with The Philharmonia Hungarica under Antal Dorati I’ll be typing that a lot this week. Symphony number 17. H. C. Robbins Landon’s The Symphonies of Joseph Haydn states that the work might have been written by 1757, … Continue reading Haydn Symphony No. 17 in F (H. I/17)
Fugue for Thought 