Jean-Efflam Bavouzet: Piano Recital

I’m speechless. I don’t know how I’d managed to get through as much classical music listening, reading, YouTube viewing, and concert going and not have heard of Jean-Efflam Bavouzet. What initially struck my interest and sold me on the concert was one of the names below: It wasn’t Beethoven (x2), or Debussy or Ravel, but Boulez. In case you don’t know (and unless you know me personally, you probably don’t), I’ve been fascinated, obsessed, overwhelmed by the music of Milton Babbitt lately, and by extension, the concepts and ideas behind the serialist movement in general, and Boulez is a very … Continue reading Jean-Efflam Bavouzet: Piano Recital

Concert Review: 4.27 男高音湯發凱獨唱會

Tenor vocal recital In case you didn’t know, Austrians are intense people… In my write-ups on concerts, I do my best to address the concert and not the pieces themselves, but that’s hard to do in some ways, especially when you’re not super familiar with said pieces. In any case, last year, I went to see Schoenberg’s Gurrelieder performed by our very fine National Symphony Orchestra. As you dedicated readers will know, it demands some serious forces, and one of those is a tenor. The tenor’s performance (both musically and… acting-ly? dramatically?) was excellent, and I actually ended up making … Continue reading Concert Review: 4.27 男高音湯發凱獨唱會

Concert Review: 葉孟儒 2015 Recital

I wouldn’t necessarily describe it as rare, per se, that one sees works of Alexander Scriabin on a recital program. I’d heard his piano works on at least two other occasions before this one, and was excited then, so when I saw the program for this recital months ago with three of Scriabin’s sonatas on the program, I immediately bought a ticket. Andrei Yeh is the same gentleman that so exquisitely played Rachmaninoff’s Paganini Variations back in December with the Taipei Philharmonic. I was blown away by that performance. It was one of those few times when something feels at … Continue reading Concert Review: 葉孟儒 2015 Recital