performed by Mitsuko Uchida (cover image by Vincent Giersch) This is a piece that has captivated me, and although it may not be, like the finale of the previous sonata, one of those immediately recognizable, iconic passages, it exudes such … Continue reading Mozart Piano Sonata no. 12 in F, K. 332
performed by Dame Mitsuko Uchida and the English Chamber Orchestra under Sir Jeffrey Tate (cover image by John McCann) This work is the farthest along we’ve gotten in any of Mozart’s works in any form (with the exception of the … Continue reading Mozart Piano Concerto no. 11 in F, K. 413
performed by Dame Mitsuko Uchida second and third movements One gets the feeling, listening to the Sonata in A minor, that Mozart had been stocking up on minor mode drama for some time when he wrote it. Its stormy music is a … Continue reading Mozart Piano Sonata no. 8 in Am, K. 310
performed by Fazıl Say, or below by Dame Mitsuko Uchida (cover image by Chris Barbalis) Mozart’s seventh piano sonata dates from 1777, a full two and a half years after the sixth. It was composed during a trip to Mannheim and … Continue reading Mozart Piano Sonata no. 7 in C, K. 309
performed by Dame Mitsuko Uchida and the English Chamber Orchestra under Sir Jeffrey Tate (cover image by Leonard Cotte) Mozart’s ninth piano concerto is actually his fifth original concerto for the piano (after the first four, which were more or … Continue reading Mozart Piano Concerto no. 9 in E-flat, K. 271, ‘Jenamy’
performed by Mitsuko Uchida, or below by Krystian Zimerman, or Pollini w/ the score (cover image by Mitch Lensink) Of all forms and structures of music, the variation form may be the easiest to understand: a theme… with variations, or … Continue reading Webern: Variations for Piano, op. 27
performed by the Endellion String Quartet and David Adams, viola, or below by the Zurich String Quintet Composed in 1795, Beethoven’s op. 4 was originally an octet written for pairs of oboes, clarinets, bassoons and horns. That work was given … Continue reading Beethoven String Quintet in E flat, op. 4
performed by Mitsuko Uchida and the English Chamber Orchestra under Jeffrey Tate, or below by the English Chamber Orchestra with Murray Perahia The eighth concerto is the last of three from Mozart written in 1776, April of that year, and … Continue reading Mozart Piano Concerto No. 8 in C, K. 246
performed by Mitsuko Uchida and the English Chamber Orchestra under Jeffrey Tate, or below from Murray Perahia and the English Chamber Orchestra Well, we did some sonatas, and now, as you should have expected, some concertos. (A quick note on the … Continue reading Mozart Piano Concerto no. 6 in B-flat, K. 238
performed by Christoph Eschenbach, or below by the also outstanding Mitsuko Uchida We haven’t seen Mozart in a while. Actually it hasn’t been that long. We featured him more than once or twice during the horn series and a few … Continue reading Mozart Piano Sonata No. 4 in E-flat, K. 282 /189g
performed by Mitsuko Uchida We’ll get around to the other incomplete sonatas and stuff later, but for now, we feature the first piano work of his that really blew me away, and the earliest completed sonata. I was fascinated with his Wanderer … Continue reading Schubert Piano Sonata no. 4 in C, D. 537
performed by Mitsuko Uchida second movement third movement or also this very interesting performance of the first movement by Robert Levin on an actual fortepiano, similar to what Mozart would have played on This third of Mozart’s piano sonatas is … Continue reading Mozart Piano sonata no. 3 in Bb, K281
performed by Mitsuko Uchida second movement third movement As with many of the pieces we have discussed in rapid succession, this piece was written soon after yesterday’s sonata. Do remember the statement we made about the clump of the first four piano concertos: with such little space between them, and from such a young composer, I wouldn’t expect to see any large degree of development or advancement from one piece to another. What I do feel like I see, as mentioned with the juvenile orchestrations, is greater confidence. The young Mozart is, perhaps, getting his sea legs, as it were. … Continue reading Mozart Piano sonata no. 2 in F, KV280
performed by Mitsuko Uchida second movement third movement No more concertos for now. Move ahead another year, and our dear composer is now 18 years old. He’d have graduated high school by this time if that’d been a thing, and he finally got around to writing his first full piano sonata. I’m interested as to why it isn’t until now that his first completed piano sonata is composed. That being said, he’d written tons of smaller things in his youth, but his first completed three-movement work for solo piano comes some time after his first opera or concerto or … Continue reading Mozart Piano sonata no. 1 in C, K279
This week, as you may have seen from yesterday’s post, is going to be a miniature Beethoven week. Actually, I don’t know what’s miniature about it; Beethoven certainly isn’t, and it’s a full seven-day week like any other. Beethoven week. … Continue reading Uchida on Beethoven, Schubert and Vienna
Fugue for Thought 