Mozart Piano Concerto no. 3 in D, K40

performed by either Ashkenazy/Philharmonia, or below by Perahia/English Chamber Ochestra Number three. The year is (still) 1767, and our little composer is still eleven years old. Everything is the same, except we get trumpets in addition to keyboard, strings, horns and oboes. Again, three movements, but none of which based on Raupach. Wikipedia says: The first movement is based on the initial movement of Honauer’s Op. 2, No. 1. The second on one by Johann Gottfried Eckard (op. 1, no. 4 ), the most famous keyboardist of his day. The third movement is based on C. P. E. Bach‘s piece … Continue reading Mozart Piano Concerto no. 3 in D, K40

Concert Review: 陳柔安鋼琴獨奏會

If you haven’t noticed, it’s that time of year. Lots of graduation recitals and concerts and things. It’s a great time of year to be a concertgoer, and I’m sure many students heave huge sighs of relief once their performances are over. It is also often hardly the end, but a beginning of more, better things. I’ve talked before about my thoughts about concerts and recitals and performances in an academic setting. There are two main ones, the first being that the people in the room (at the university where these recitals are [most often] held) are the real professionals … Continue reading Concert Review: 陳柔安鋼琴獨奏會

Concert Review: 簡韻玲鋼琴獨奏會

or my piano teacher’s graduation recital at 師大 I missed her other recital, and felt terrible about it, but was glad I was able to attend this one. If you go check out the About Me section, I talk in there about my final decision to go get piano lessons like I’d always wanted, so I did. I was cohost of a radio show for a local news channel at the time, and happened to mention to the host in passing that I’m looking for a piano teacher. Turns out his cousin and her whole family are music people. He … Continue reading Concert Review: 簡韻玲鋼琴獨奏會