performed by the Bavarian Radio Symphony Orchestra under Mariss Jansons, or below by the Royal Scottish National Orchestra under Neeme Järvi (cover image by Michal Dolnik) Thankfully, we have now arrived at uncontested, overwhelming greatness in Shostakovich’s symphonic output. Not … Continue reading Shostakovich Symphony no. 4 in Cm, op. 43
performed by Mitsuko Uchida, or below by Krystian Zimerman, or Pollini w/ the score (cover image by Mitch Lensink) Of all forms and structures of music, the variation form may be the easiest to understand: a theme… with variations, or … Continue reading Webern: Variations for Piano, op. 27
preformed by the St. Petersburg Philharmonic Orchestra under Mariss Jansons, or below by the Royal Concertgebouw Orchestra under Vladimir Ashkenazy It is the creation of a genial mind laboring in a field well known and loved by it, but not … Continue reading Revisit: Rachmaninoff Symphony no. 3 in A minor, op. 44
performed by the Quatuor Diotima (cover image by Frantzou Fleurine) Everyone knows the middle movement, but what about what comes before and after it? This quartet, while an early work, is powerful and more than worthy of a listen from … Continue reading Barber String Quartet in Bm, op. 11
performed by Hilary Hahn and the Swedish Radio Symphony Orchestra under Esa-Pekka Salonen [It] is extremely difficult, just as much for the head as for the hands. I am delighted to add another ‘unplayable’ work to the repertoire. I want … Continue reading Schoenberg Violin Concerto, op. 36
performed by the New Vienna String Quartet (Neues Wiener Streichquartett) A playlist with all four movements can be found here. “…it awakens feelings that are not far from those caused by euphony.” From this article, which I’ll cite also below … Continue reading Schoenberg String Quartet no. 4, op. 37
Performed by the Lasalle Quartet Oh, Mr. Zemlinsky (von Zemlinsky?), what a life you must have had, but how few people know of you now. This piece we will talk about today, the fourth and final of your string quartets, was dedicated to a student of your student, Alban Berg, whose piano sonata we recently talked about. It is the only piece of yours I own or have heard, but I am intrigued and interested in what else you have to offer, and for the third and final part of our music-I-enjoy-and-appreciate-but-don’t-really-understand-so-can’t-say-anything-terribly-constructive-or-educational-or-useful-about-so-take-this-with-a-grain-of-salt series, we end up here. I am interested … Continue reading Alexander von Zemlinsky: String Quartet no. 4
Fugue for Thought 