performed by Roland Pöntinen, or below by Eduard Steuermann (cover image by h-e-n-g-s-t-r-e-a-m) It may sound like a cliche, but Schoenberg’s earlier (by a little over a decade) opus 11 really was a watershed moment for the composer in dealing … Continue reading Schoenberg: Fünf Stücke, op. 23
performed by the Boston Modern Orchestra Project under Gil Rose, or below by the Boston Symphony Orchestra under the composer’s baton (cover image by Andrew Yardley) Irving Gifford Fine was born in Boston on 3 December 1914. He earned both … Continue reading Irving Fine: Symphony
performed by Hilary Hahn and the Swedish Radio Symphony Orchestra under Esa-Pekka Salonen [It] is extremely difficult, just as much for the head as for the hands. I am delighted to add another ‘unplayable’ work to the repertoire. I want … Continue reading Schoenberg Violin Concerto, op. 36
performed by the Swedish Radio Symphony Orchestra under Leif Segerstam https://www.youtube.com/watch?v=FggBo2pW6W8 (this piece is featured on a list of pieces I heartily recommend to music directors for inclusion on their season programs. Check out the article here.) Karl-Birger Blomdahl was … Continue reading Karl-Birger Blomdahl: Symphony no. 3, Facetter
performed by members of the London Symphony Orchestra under Pierre Boulez, or the below with (members of) the Berlin Philharmonic also under Boulez Greater unity is impossible. Even the Netherlander didn’t manage it. In the fourth variation there are constant … Continue reading Webern: Symphony, op. 21
performed by Mitsuko Uchida and the Cleveland orchestra under Pierre Boulez Finally! It’s here. I’ve been eager to write this article now for years. It was a strange experience I had with this work, as I was describing to someone the … Continue reading Schoenberg Piano Concerto, op. 42
performed by the New Vienna String Quartet (Neues Wiener Streichquartett) A playlist with all four movements can be found here. “…it awakens feelings that are not far from those caused by euphony.” From this article, which I’ll cite also below … Continue reading Schoenberg String Quartet no. 4, op. 37
performed by the people listed here, directed by the very friendly Erik Carlson “… entire twelve-tone compositions may be seen to be consequences of the structure of the original sets on which they are based, thus revealing “those attributes of … Continue reading Babbitt: Composition for Twelve Instruments
How I got here: As stated on my About Me page, my interest in music was rooted in a fascination with the piano. It seems natural, then, that as I started to familiarize myself with classical music, the piano was … Continue reading Dodecaphony: Part 3
To continue our discussion of the twelve tone scheme and the Second Viennese School, we’re going to talk today about the method itself. I’m going to be up front with you, though. I’m not a professional musician, I am not … Continue reading Dodecaphony: Part 2
Do-what? (a.k.a. Influential People: Arnold Schoenberg) part 2 here part 3 here This was going to be a simple introduction to the early works of the Second Viennese School, and to that group of composers itself, but as with many … Continue reading Dodecaphony: Part 1
Fugue for Thought 