Various threads or chunks of history or music organized into strings of posts.
performed by the Lysell String Quartet, available on Spotify (cover image by Delyn Stirewalt) And here we are with more of the Editor’s Choice series. For a refresher, this series features 20th century composers who gave us a whole cycle … Continue reading Rosenberg String Quartet no. 2, op. 21
performed by Trio Wanderer, or below by the Beaux Arts Trio (cover image by Aaron Burden) The second piece of Beethoven’s op. 70 piano trios is in E flat, and carries no nickname or subtitle or anything. The work, like … Continue reading Beethoven Piano Trio in E flat, op. 70 no. 2
performed by Trio Wanderer, or below by Barenboim, Du Pre and Zukerman (cover image by Norbert Levajsics) Moving right along in Beethoven’s catalogue, we come to the op. 70 piano trios, of which there are two. These works come just … Continue reading Beethoven Piano Trio in D, op. 70 no. 1, ‘Ghost’
performed by the Artemis Quartet, or below by the Alban Berg Quartet Would it be going too far to suppose a connection between this extraordinary work and Beethoven’s advancing deafness? Could that painfully groping introduction seem like someone trying to … Continue reading Beethoven String Quartet no. 9 in C, op. 59 no. 3
performed by the Artemis Quartet, or below by the Alban Berg Quartet (cover image by Francisco De Legarreta C.) We find ourselves now at the second of Beethoven’s three Razumovsky quartets. The works were written in 1806 for the Russian … Continue reading Beethoven String Quartet no. 8 in Em, op. 59 no. 2
performed by the Amadeus Quartet https://www.youtube.com/watch?v=dSEluPH1NM8 (cover image by Brooke Lark) So we, uh… jump back a few important years to the tenth quartet, written in 1773. The middle of this decade is clearly a time when the composer advances … Continue reading Mozart String Quartet no. 10 in C, K. 170
performed by the Amadeus Quartet, or below by the Festetics Quartet (cover image by Irina Blok) Mozart’s ninth string quartet, the second of the set of six called the ‘Viennese quartets,’ was composed in (August of) 1773. (Apparently, according to … Continue reading Mozart String Quartet no. 9 in A, K. 169
performed by Andrea Lucchesini (cover image by Aaron Blanco Tejedor) Berio’s Encores are relatively short pieces composed over a three decades, and provide a pretty wide-ranging vocabulary for the performer. For the brevity of the individual pieces, they provide a really wonderful … Continue reading Berio: Six Encores
performed by Simon Smith (available on Spotify, but not YouTube) The music of Alfred Schnittke has always delivered on its promise of darkness, but one must occasionally remind oeself [sic] that man could be really funny sometimes; on his misshapen circle, … Continue reading Schnittke: 8 Pieces for piano
performed by the Quatuor Diotima, or below by the Lasalle Quartet (cover image by Dhruv Weaver) Webern’s string quartet, the only work to be so labeled by him (even though he composed other things for four strings), is also his … Continue reading Webern String Quartet, op. 28
performed by Mitsuko Uchida, or below by Krystian Zimerman, or Pollini w/ the score https://www.youtube.com/watch?v=lED-ymqR2E4 (cover image by Mitch Lensink) Of all forms and structures of music, the variation form may be the easiest to understand: a theme… with variations, … Continue reading Webern: Variations for Piano, op. 27
performed by Roland Pöntinen, or below by Eduard Steuermann (cover image by h-e-n-g-s-t-r-e-a-m) It may sound like a cliche, but Schoenberg’s earlier (by a little over a decade) opus 11 really was a watershed moment for the composer in dealing … Continue reading Schoenberg: Fünf Stücke, op. 23
performed by Eero Heinonen, or below by someone who may or not be the same person https://www.youtube.com/watch?v=TbEd3CEbC6A (cover image by Dennis Buchner) It’s unlikely that when you hear Sibelius’ name, you think of anything he wrote for piano. Whether it’s … Continue reading Sibelius: Eight pieces, op. 99
performed by Matti Raekallio, or below by Boris Berman In every fleeting vision I see worlds, Filled with the fickle play of rainbows Konstantin Balmont (cover image by Joel Filipe) It’s not ‘visions of fugitives.’ Prokofiev wrote his Visions Fugitives from … Continue reading Prokofiev: Visions Fugitives, op. 22
performed by the Novosibirsk “Filarmonica” String Quartet (cover image by Zach Reiner) Roslavets again, this time in what I find to be a far more compelling piece. We discussed last week that Roslavets, as if nearly disappearing from the face of … Continue reading Roslavets String Quartet no. 1
performed by Olga Andryushchenko, or below by someone who is not Olga Andryushchenko (cover image by Roman Mavrin) Scriabin’s influence can be heard in earlier works, and a constant search for fresh sound constellations resulted in Roslavets’ invention of influential new … Continue reading Roslavets: Three Compositions
performed by Emil Leichner, or below by Paul Kaspar (the above video should start at 27:45) (cover image by Rhendi Rukmana) If you assumed from the ‘book III’ in the title of this work that there exist books I and II … Continue reading Martinů: Puppets, Book III
performed by Aldo Ciccolini, or below by Daniel Varsano second and third (cover image by Zhu Xihua) In contrast with what seemed last week like pretty genuinely serious music from Satie, we have something today that really embodies what most … Continue reading Satie: Embryons Desséchés
performed by Anne Queffélec, or below by Krystian Zimerman (cover image by Jez Timms) “…le plaisir délicieux et toujours nouveau d’une occupation inutile” (the delicious and forever-new pleasure of a useless occupation). Henri de Régnier, quote published on the piano … Continue reading Ravel: Valses Nobles et Sentimentales
performed by the Beaux Arts Trio, or below by the Joachim Trio (cover image by Aaron Burden) I’ve written my trio. Now all I need are the themes. Ravel, of his piano trio Ravel’s piano trio was written in 1914, … Continue reading Ravel Piano Trio in Am, M. 67
performed by Andreas Bach, or below by someone (entire playlist for the work here) (cover image by Aaron Blanco Tejedor) Back to Bartók. And to folk music, sort of. Bartók’s collection of Ten Easy Pieces (or Tíz könnyű zongoradarab, in Hungarian) dates from … Continue reading Bartók: Ten Easy Pieces, Sz. 39
Fugue for Thought 