Various threads or chunks of history or music organized into strings of posts.
performed by The Smith Quartet (in a video below that seems not to be available in all countries. The album can be purchased here or in iTunes) I’ll be the first to say that this work isn’t the best place to start … Continue reading Philip Glass: String Quartet no. 1
performed by the Emerson String Quartet Shostakovich was a prolific composer, as we have discussed, but it was rather late in his life that he got around to string quartets. He was in his thirties before he completed his first, in … Continue reading Shostakovich String Quartet No. 2 in A major, Op. 68
performed (live) by the Emerson String Quartet, from their box set of the quartets “I visualized childhood scenes, somewhat naïve and bright moods associated with spring.” Dmitri Shostakovich from Epstein, Paul. Emerson String Quartet: “Shostakovich: The String Quartets” I wrote … Continue reading Shostakovich String Quartet no. 1 in C, Op. 49
performed by the Emerson String Quartet Beethoven left his mark on just about everything. If you want to talk about ‘cycles’ of piano sonatas, Beethoven has a killer one. Symphony cycle? One of the best. Piano concertos? Five of them. … Continue reading Bartok String Quartet No. 1 in A minor
performed by the Emerson String Quartet I hope you listened to and enjoyed the very first post of July, Debussy’s string quartet. It’s one of the most famous quartets in the repertoire, I’d say, especially from a composer who lived … Continue reading Ravel String quartet in F major
Needless to repeat, but I shall, that none of my series are comprehensive; there’s no way they can be. The blog as an entire entity is not comprehensive. But I think in this challenging and intense month of listening and writing (the … Continue reading Darmstadt 2016: A Review
performed by the Berlin Philharmonic under Friedrich Goldman (I) Claudio Abbado (II) Marcus Creed (III) “a landmark in 20th-century music . . . probably the first work of the post-war generation of composers in which technique and imagination combine on … Continue reading Stockhausen: Gruppen
performed by David Tudor, or the first below by Herbert Henck II here, also played by Henck So… Karlheinz Stockhausen… I have decided that in the future, for composers getting their first post here on the blog, I will include their … Continue reading Stockhausen: Klavierstücke I-IV
performed by the Arditti quartet The string quartet under discussion begins at this point in the above video, or from here In searching for information about this quartet, I came to find that there is very little discussion virtually anywhere of Berio’s almost-earliest work … Continue reading Berio: Quartetto (1956)
performed by the Cicada Quartet Maderna’s Quartet is the hardest nut to crack [on the album], with its fragmented phrases and restless rhythms and dynamics. But behind the notes the Cikadas’ deeply committed playing reveals glimpses of a dramatic personality … Continue reading Bruno Maderna: Quartetto per archi in due tempi
performed by the Berlin Philharmonic Orchestra, with Susanne Otto, Marek Torzewski, Barbara Bonney, Dietrich Knothe & Rundfunkchor Berlin under Claudio Abbado If any evidence exists that Webern’s work does not mark the esoteric “expiry” of Western music in a pianissimo of … Continue reading Nono: Il Canto Sospeso
performed by the Wiener Jeunesse-Chor, Günther Theuring, and the Vienna Philharmonic Orchestra under Claudio Abbado Today we begin a rather brief discussion of one of the pillars of the Darmstadt school, in fact of the very man who coined the phrase … Continue reading Luigi Nono: Liebeslied for mixed choir and instruments
performed by Quintette Nielsen & Pierre Roullier, or below by The Philharmonic Five I feel a little bit bad that this is the first representation that Berio will be getting in our series here, but while he is a critically important name … Continue reading Luciano Berio: Opus Number Zoo, Children’s Play for Wind Quintet
performed by Hilary Summers and the Ensemble Intercontemporain under the composer’s baton Claude Samuels: I have one final question: what do you expect of the listener? You have an enlightened music lover who has this set of discs in hand; … Continue reading Boulez: Le Marteau sans Maître
performed by Paavali Jumppanen (from his album of the three sonatas) or below by Pierre-Laurent Aimard (from Boulez’s Ouvres Completes box set), both fantastic performances We now jump forward a little bit in time to another of Boulez’s still-early works, the first … Continue reading Boulez Piano Sonata no. 1
performed by Pierre-Laurent Aimard, or the first Notation performed by the composer, also below We start off our discussion of the Darmstadt school with Pierre Boulez. Needless to say, this is going to be a tough month of articles, for … Continue reading Boulez: Douze Notations
performed by Pierre-Laurent Aimard, Maryvonne Le Dizes, Pierre Strauch & Alain Damiens or below by Pianist Matthew Schellhorn and Soloists of the Philharmonia Orchestra: James Clark (violin), Barnaby Robson (clarinet), David Cohen (cello) Never was I listened to with such rapt attention … Continue reading Messiaen: Quatuor pour la fin du temps
performed by Peter Hill, or below by Yvonne Loriod, the composer’s second wife (please be aware that you can find the specific times for the beginning of each etude in the description of the above video, which I have copied … Continue reading Messiaen: Quatre études de rythme
or Explanation of Metaphors for two pianos (Marc Reichow, Florian Hoelscher) harp (Françoise Friedrich), percussion (Boris Müller) and narrator (Julie Comparini), under Walter Nußbaum, with text by Raymond Queneau, translated into English by the composer, on this album, a world premiere recording (the two discs are … Continue reading René Leibowitz: L’explication des Metaphores, op. 15
performed by Peter Hill, or below by Hakon Austbo “Preludes to what?” is a question that has been asked many a time by someone approaching likely far more often-performed preludes, like those of Chopin, Debussy, or Scriabin, but it is a … Continue reading Messiaen: Huit préludes
performed by the Emerson String Quartet, or below by the Kodaly Quartet Any sounds in any combination and in any succession are henceforth free to be used in a musical continuity… -Claude Debussy Our first piece in the Darmstadt Series isn’t. … Continue reading Debussy String Quartet in Gm, op. 10
Fugue for Thought 