performed by Paavali Jumppanen (from his outstanding release of the three Boulez sonatas), or in an (at least) equally superb reading from the wonderful Maurizio Pollini Boulez and tradition. L’enfant terrible. A polemic. A rebel. A radical. The guy who said … Continue reading Boulez Piano Sonata no. 2
performed by Leif Ove Andsnes and the Berlin Philharmonic under Pierre Boulez, or below by the Géza Anda and the Concertgebouw Orchestra under Bernard Haitink Since we discussed the first piano concerto earlier this week, I’d like to suggest you … Continue reading Bartók Piano Concerto no. 2, Sz. 95, BB 101
performed by Jean Efflam-Bavouzet and the London Philharmonic under Vladimir Jurowski “My first concerto […] I consider it a successful work, although its style is up to a point difficult, perhaps even very difficult for the orchestra and the public.” … Continue reading Bartók Piano Concerto no. 1, Sz. 83, BB 91
performed by Jean-Efflam Bavouzet and the BBC Philharmonic under Juan José Mena, or below by Marylene Dosse and the Stuttgart Philharmonic under Matthias Kuntzsch Henri Constant Gabriel Pierné was born 16 August, 1863 in Metz, in northeast France. His family … Continue reading Gabriel Pierné: Piano Concerto in C minor, Op. 12
performed by Sviatoslav Richter and the Bavarian State Orchestra under Carlos Kleiber I see I am unable to write a Concerto for a virtuoso; I must think of other things. Dvorak, about his piano concerto … there is nothing in … Continue reading Dvorak Piano Concerto in G minor, Op. 33
performed by Krystian Zimerman and the Boston Symphony Orchestra under Seiji Ozawa, or below by Jean-Yves Thibaudet and the Orchestre national du Capitole de Toulouse under Tugan Sokhiev Well, we certainly haven’t seen Liszt in a very long time, about a year and … Continue reading Liszt Concerto for Piano and Orchestra No. 2 in A major, S. 125
performed by Francesco Nicolosi and the Razumovsky Symphony Orchestra under Andrew Mogrelia Sigismond Thalberg was born 8 January, 1812 in Pâquis, near Geneva, in Switzerland. His Wikipedia page states that “according to legend,” he was the illegitimate son of a … Continue reading Sigismond Thalberg: Piano Concerto in Fm, op. 5
Performed by Maurizio Pollini and the Berlin Philharmonic under Claudio Abbado, or below by Mitsuko Uchida and the Bavarian Radio Symphony Orchestra under Mariss Jansons Beethoven’s fourth piano concerto, with an opus number of 58, dates from the time of … Continue reading Beethoven Piano Concerto no. 4 in G, op. 58
performed by Jean Efflam-Bavouzet, or below by Annie Fischer In the two posts from earlier this week, we discussed the other two sonatas from Beethoven’s op. 10, the fifth sonata, in Cm, as well as the sixth, in F. These … Continue reading Beethoven Piano Sonata no. 7 in D, op. 10 no. 3
performed by Jean-Efflam Bavouzet, or below by Annie Fischer In today’s work, as with all previous Beethoven sonatas, and likely with all future ones as well, we turn to the wealth of knowledge to be found in the lecture series … Continue reading Beethoven Piano Sonata No. 6 in F, Op. 10, No. 2
performed by Jean-Efflam Bavouzet, or below by Annie Fischer I cannot overstate the wonderfulness of Sir András Schiff’s series of lectures about the Beethoven sonatas. They make me feel like I know these works so well, and even after having listened … Continue reading Beethoven Piano Sonata no. 5 in Cm, op. 10 no. 1
performed by Andras Schiff, Daniel Barenboim, and Georg Solti with the English Chamber Orchestra (I think) Talk about extravagant. Why three pianos? I thought the same thing, and I’ll tell you why, or rather Wikipedia will: The concerto is often … Continue reading Mozart Piano Concerto No. 7 in F for three pianos and orchestra, K. 242
performed by Mitsuko Uchida and the English Chamber Orchestra under Jeffrey Tate, or below from Murray Perahia and the English Chamber Orchestra Well, we did some sonatas, and now, as you should have expected, some concertos. (A quick note on the … Continue reading Mozart Piano Concerto no. 6 in B-flat, K. 238
performed by Christoph Eschenbach, or below by Sir András Schiff second and third movements We have now reached somewhat of a (very insignificant) milestone in our coverage of Mozart’s piano sonatas. For one, this puts us a third of the … Continue reading Mozart Piano Sonata No. 6 in D, K. 284 / 205b
performed by Christoph Eschenbach, or below by the also spectacular Mitsuko Uchida Here we are with Mozart’s fifth piano sonata, and per yesterday’s article, the two Köchel numbers reflect its original and incorrect ordering, later being given the lower number to reflect … Continue reading Mozart Piano Sonata No. 5 in G, K. 283 / 189h
performed by Christoph Eschenbach, or below by the also outstanding Mitsuko Uchida We haven’t seen Mozart in a while. Actually it hasn’t been that long. We featured him more than once or twice during the horn series and a few … Continue reading Mozart Piano Sonata No. 4 in E-flat, K. 282 /189g
performed by Yefim Bronfman, Truls Mørk and Gil Shaham with the Tonhalle Orchestra under David Zinman, or below by the Chamber Orchestra of Europe under Bernard Haitink with: Renaud Capuçon, violin Gautier Capuçon, cello Frank Braley, piano So our first … Continue reading Beethoven Triple Concerto in C major, op. 56
performed by Elisabeth Zeuthen Schneider, Amalie Malling & Morten Zeuthen (sorry, no video today… but here’s the album [with audio samples] or from iTunes, the score, and the parts for sale) Otto Valdemar Malling was born on 1 June, 1848 in Copenhagen (we’ll be … Continue reading Otto Malling: Piano trio in Am, op. 36
performed by Roland Pöntinen and the New Stockholm Chamber Orchestra under Lev Markiz, or below by Ksenia Kogan and the Korean Chamber Orchestra under Sergey Smbatyan Alfred Garrievich Schnittke was born on 24 November, 1934. His father was born in Frankfurt and moved … Continue reading Alfred Schnittke: Concerto for piano and strings
performed by Wayne Marshall and the Aalborg Symphony, or below by Earl Wild and the Boston Pops under Arthur Fielder Jazz. I don’t like it. But I’m also willing to admit when I’m wrong. Earlier this year I was present … Continue reading George Gershwin: Piano Concerto in F
performed by John O’Conor no. 2 and no. 3 None have quite attained to these vague eolian harmonies, these half-formed sighs floating through the air, softly lamenting and dissolved in delicious melancholy. Nobody has even attempted this peculiar style, … Continue reading John Field: Nocturnes, H. 24-26
Fugue for Thought 