Works that I do my best to write about (at least once a week, usually on Thursdays). For collections of pieces, check out the Series link above.
performed by Pierre-Laurent Aimard, or the first Notation performed by the composer, also below We start off our discussion of the Darmstadt school with Pierre Boulez. Needless to say, this is going to be a tough month of articles, for … Continue reading Boulez: Douze Notations
as below: The end. Opera is one of the best things ever. And it’s something we don’t get nearly enough of here in Taipei. Unfortunately, we’ll likely be getting even less of it now that the opera house, built in … Continue reading Opera: Verdi’s Otello
performed by Pierre-Laurent Aimard, Maryvonne Le Dizes, Pierre Strauch & Alain Damiens or below by Pianist Matthew Schellhorn and Soloists of the Philharmonia Orchestra: James Clark (violin), Barnaby Robson (clarinet), David Cohen (cello) Never was I listened to with such rapt attention … Continue reading Messiaen: Quatuor pour la fin du temps
performed by Peter Hill, or below by Yvonne Loriod, the composer’s second wife (please be aware that you can find the specific times for the beginning of each etude in the description of the above video, which I have copied … Continue reading Messiaen: Quatre études de rythme
or Explanation of Metaphors for two pianos (Marc Reichow, Florian Hoelscher) harp (Françoise Friedrich), percussion (Boris Müller) and narrator (Julie Comparini), under Walter Nußbaum, with text by Raymond Queneau, translated into English by the composer, on this album, a world premiere recording (the two discs are … Continue reading René Leibowitz: L’explication des Metaphores, op. 15
performed by Peter Hill, or below by Hakon Austbo “Preludes to what?” is a question that has been asked many a time by someone approaching likely far more often-performed preludes, like those of Chopin, Debussy, or Scriabin, but it is a … Continue reading Messiaen: Huit préludes
performed by the Emerson String Quartet, or below by the Kodaly Quartet Any sounds in any combination and in any succession are henceforth free to be used in a musical continuity… -Claude Debussy Our first piece in the Darmstadt Series isn’t. … Continue reading Debussy String Quartet in Gm, op. 10
performed by members of the London Symphony Orchestra under Pierre Boulez, or the below with (members of) the Berlin Philharmonic also under Boulez Greater unity is impossible. Even the Netherlander didn’t manage it. In the fourth variation there are constant … Continue reading Webern: Symphony, op. 21
performed by the Juilliard Quartet Non multa sed multum (Not much in quantity, but much in content) A Deruchie We’re nearing the end of a long stretch of history (of course skipping over a lot) into the modern era, but … Continue reading Webern: Six Bagatelles, op. 9
performed by the Chicago Symphony, with the Vienna State Opera Chorus, Singverein Chorus, and the Vienna Boys Choir, under Sir Georg Solti, vocalists: Heather Harper, Lucia Popp, Arleen Auger, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk & Martti Talvela (I’ll … Continue reading Mahler Symphony no. 8 in E-flat major
(Songs on the Death of Children) performed by Anne Sofie von Otter and the Vienna Philharmonic under Pierre Boulez Rückert’s 428 poems on the death of children became singular, almost manic documents of the psychological endeavor to cope with such … Continue reading Mahler: Kindertotenlieder
performed by the LaSalle Quartet I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And … Continue reading Schoenberg String Quartet in D major
performed by the Lasalle Quartet or as below: I’m not going to take the time now to discuss why Alexander von Zemlinsky is as important a name as it is and do an Influential People post or anything; I’m not even sure … Continue reading Zemlinsky String Quartet no. 1 in A, op. 4
performed by the Vienna Philharmonic under Carlos Kleiber Many hail this as the greatest recorded performance of the Brahms, and it is indeed exquisite. We are here, I must admit, with even a little bit of apprehension, at the end … Continue reading Brahms Symphony no. 4 in E minor, Op. 98
performed by the Berlin Philharmonic under Claudio Abbado (original two-piano version here) … except not, because it isn’t. The “Chorale St Antoni” was supposed or assumed at the time to have been composed by Haydn, but later found not to be so; … Continue reading Brahms’ Variations on a Theme by Joseph Haydn
performed by the Fine Arts Quartet and Gil Sharon. People (rightly) think of Bruckner as a craftsman, a constructor of enormous, highly-developed, colossal symphonies, and there’s a reason for that. As we saw this week (with the exception of his study symphony, a … Continue reading Bruckner String Quintet in F major, WAB 112
performed by the Rundfunk-Sinfonieorchester Saarbrücken under Stanisław Skrowaczewski Those names. The effect of its breadth and grandeur has remained with me ever since. -Robert Simpson (This article is tons longer than I thought it’d be.) So you may or may not … Continue reading Bruckner Symphony no. 2 in Cm, WAB 102
performed by the Rundfunk-Sinfonieorchester Saarbrücken under Stanislaw Skrowaczewski That’s a mouthful, but it’s likely who I’ll feature in the rest of my Bruckner symphony articles. I’ll get to why on Thursday. For now, this. … much about the work betrays the style … Continue reading Bruckner Study Symphony in Fm (no. 00)
performed by the Fine Arts Quartet I’ll be referring to this article on AllMusic by Blair Johnston throughout my little discussion below. I didn’t really know much about the work, and hadn’t learned much about it from anywhere else, but that is … Continue reading Schumann String Quartet in A minor, Op. 41 no. 1
performed by the Talich quartet To be clear, this is not Mendelssohn’s String Quartet no. 1 (which is confusingly also in E-flat major) but it is his first string quartet. This one was written in 1823, but not published until 1879. At the time of writing, the fourteen-year … Continue reading Mendelssohn String Quartet in E-flat, (posth.)
performed by the London Symphony Orchestra under Claudio Abbado So while the first three string symphonies this week might not have been riveting, life-changing works, or really anything I’d put on more than background music of some kind, they are … Continue reading Mendelssohn Symphony No. 1 in Cm, Op. 11,
Fugue for Thought 