performed by Hilary Hahn and the Swedish Radio Symphony Orchestra under Esa-Pekka Salonen [It] is extremely difficult, just as much for the head as for the hands. I am delighted to add another ‘unplayable’ work to the repertoire. I want … Continue reading Schoenberg Violin Concerto, op. 36
performed by János Starker and Rudolf Firkušný, or below by John Walz, cello; Edith Orloff, piano Imagine being in a foreign country and hearing news of the Nazi invasion of the country your family still inhabits. What kind of music would … Continue reading Martinů Cello Sonata No. 1, H. 277
performed by the late Fredell Lack and Timothy Hester, or below by Markéta Janoušková, violin; Václav Mácha, piano (Before we begin this article, I’d like to take a moment to discuss Fredell Lack. This article had been scheduled for months, … Continue reading Martinů Violin Sonata no. 1, H. 182
performed by the Panocha Quartet (Oops! We have a rare case with no YouTube video for the work. If you’re intent on hearing it, you can purchase the first three movements individually from iTunes, part of the Panocha quartet set. Since … Continue reading Martinů String Quartet no. 1, H. 117, ‘French Quartet’
performed by Torleif Thedéen and Roland Pöntinen, or below by Kevin Kunkel, cello, Yejin Noh, piano (cover image by Elias Schupmann) I hope you read Tuesday’s article. Hindemith’s op. 11 is a set of six (some places incorrectly list it as five) … Continue reading Hindemith Cello Sonata, op. 11 no. 3
performed by Oleg Kagan & Sviatoslav Richter, or below by David Oistrakh and Vladimir Yampolski (cover image by Sergei Akulich) As you may have read from this past weekend’s article on Hindemith’s early first (posthumously published) string quartet, its composition straddled … Continue reading Hindemith Violin Sonata in E flat, op. 11, no. 1
performed by the Amar Quartet, or below by the Danish String Quartet (cover image by Annie Sprat) Paul Hindemith’s first string quartet wasn’t recognized as such until recently. In Stephen Luttman’s book Paul Hindemith: a Guide to Research, he makes a … Continue reading Hindemith String Quartet no. 1 in C, op. 2
performed by Augustin Dumay and Maria João Pires, or below by Julia Fischer and Milana Chernyavska (cover image by Ravi Roshan) Today we discuss the first (and I think only) work of this little stretch of sonatas that isn’t a “no. 1” … Continue reading Grieg Violin Sonata no. 3 in Cm, op. 45
performed by Steven Isserlis and Stephen Hough, or below by Natalia Gutman and Viacheslav Poprugin I am both spiritually and bodily unwell and decide every other day not to compose another note, because I satisfy myself less and less. Grieg, … Continue reading Grieg Cello Sonata in A minor, op. 36
performed by the Vertavo Quartet, or below by the Copenhagen Quartet I have recently finished a string quartet which I still haven’t heard. It is in G minor and is not intended to bring trivialities to market. It strives towards … Continue reading Grieg String Quartet no. 1 in Gm, op. 27
performed by Pinchas Zukerman & Daniel Barenboim (cover image by Ian Baldwin) Maybe I shouldn’t be discussing the first sonata before I address the violin concerto. The op. 78 sonata is only Brahms’ second work for the violin as a solo … Continue reading Brahms Violin Sonata No. 1 in G, Op. 78, ‘Regensonate’
performed by Mstislav Rostropovich and Rudolf Serkin, or below with Jacqueline du Pré and Barenboim (The work is officially titled ‘Sonate für Klavier und Violoncello‘; we will discuss this shortly.) (cover image by Miguel Mateo) Brahms completed his first sonata … Continue reading Brahms Cello Sonata No. 1 in E minor, op. 38
performed by Tamás Vásáry, Thomas Brandis and Ottomar Borwitzky, or below by Suk, Starker, and Katchen (cover image by Juja Han) Play this work while you’re reading, if you can, at least the first movement. Brahms was a prodigy for sure. … Continue reading Brahms Piano Trio no. 1 in B major, Op. 8
performed by Trio Wanderer, or below by the Castle Trio, on period instruments (cover image by Martin Oslic) More Beethoven! Today’s work acts as sort of an introduction to what we’ll be doing in the month of August, similar to … Continue reading Beethoven Variations in E-flat piano trio, op. 44
performed by Anne Sophie Von Otter, Ian Bostridge, Deborah York, Bryn Terfel, et al., the London Symphony Orchestra, and Monteverdi Choir under Sir John Eliot Gardiner, or below in this recording led by Kent Nagano For idle hearts and hands and … Continue reading Stravinsky: The Rake’s Progress
performed by the Emerson String Quartet, or below by the Borodin Quartet Although this is only the third of the composer’s fifteen completed string quartets, it’s not an early work by any means. In fact, it comes after the composer’s ninth symphony, op. 70, … Continue reading Shostakovich String Quartet No. 3 in F major, op. 73
performed by the “Soloists, Chorus & Orchestra Of The Moscow Chamber Theatre” and the Leningrad Philharmonic under Gennady Rozhdestvensky, or below (in English) by the Royal Opera conducted by Ingo Metzmacher The Nose loses all meaning if it is seen just as a … Continue reading Shostakovich: The Nose
performed by the Emerson Quartet, or below by the Takács Quartet Bartók’s third string quartet was written in Budapest in 1927, putting it just after the first piano concerto in his output. Remember, despite the low numbers, these are not … Continue reading Bartók String Quartet no. 3
Performed by the Quatuor Diotima and Marie-Nicole Lemieux, or below by the Juilliard Quartet (without vocalist) If I haven’t already mentioned it, and I’m pretty sure I have, the works of Alban Berg might for many be the way into … Continue reading Berg: Lyric Suite
performed by Taiwan’s 國家交響樂團 a.k.a. National Symphony Orchestra a.k.a. Taiwan Philharmonic, or below in a trailer for the work from The Royal Opera This is a concert (opera) review, and less so a discussion of the opera itself, but I’m … Continue reading NSO’s Il Trittico
performed by the Vienna Philharmonic under Claudio Abbado and all the people in this recording (Act 1 with subtitles below, Abbado and the Vienna State Opera) Still, alles still, als wär’ die Welt tot (Still, all is still, as if the … Continue reading Berg: Wozzeck, op. 7
Fugue for Thought 